Oscillating Landscapes
Working at the intersection of the physical canvas and the digital wave. Each piece is a narrative of rhythm, texture, and resonance. Welcome to my archive of living works
Extraction & Equilibrium
SOLO London
March 6th - 2026
Rhodes Contemporary art Gallery
More
Transposing the Canvas
Working at the intersection of the physical canvas and the digital wave. Each piece is a narrative of rhythm, texture, and resonance. Welcome to my archive of living works.
THE SILENCE OF NATURE
In a world defined by noise and constant movement, I seek the spaces where time slows down.
For me, nature is not just a backdrop; it is a living structure. When I sit here, with the sun hitting the pages of my sketchbook, the chaotic details of the everyday fade away. There is a profound silence in the woods, a stillness that doesn't feel empty, but entirely full of potential.
In this quietude, my mind begins to deconstruct what the eye sees. The organic silhouette of a branch, the sharp intersection of a shadow on the forest floor, the geometric rhythm hidden within the landscape. Here, surrounded by nature’s raw architecture, the first lines are born.
I document these moments not just to remember a place, but to capture a feeling—the absolute peace of creating in harmony with the world around me. This is where the process begins. Out here, in the sun, finding new angles in the silence.
Behind the Work: From Nature to Geometric Form
The Philosophy & Inspiration
Every geometric composition begins far away from the canvas or the studio grid. My artistic practice is deeply rooted in the continuous observation of the dialogue between the organic lines of nature and the structured, clean angles of modern architecture. It is an exploration of how light cuts through spaces, how shadows redefine a landscape, and how complex surroundings can be distilled into their purest graphic forms.
To capture these fleeting moments, I rely on my cameras as essential tools for documentation. The lens allows me to seek out completely new angles, framing sections of the world that often go unnoticed. Whether it is the hard-edged silhouette of a concrete building against an open sky or the repeating structural patterns found in nature, photography serves as the raw, foundational layer of my creative process.
"The camera is how I document the world's hidden lines. The studio is where those lines are translated into timeless, geometric harmony."
The Process: From Lens to Material Once a shape or perspective is captured through the lens, the process of translation begins. The photographic reference is stripped of its immediate context and reduced to its essential geometric essence. In works like the one captured in IMG_0729.JPG, this manifests as a balanced interplay of sharp, interlocking triangles and deep, contrasting spaces.
The tactile translation is as vital as the initial composition. By combining textured, earthy surfaces with rich, matte tones, the piece bridges the gap between the organic origins of its inspiration and the strict mathematical discipline of geometric abstraction. Enclosed within a dark, deep-set wooden frame, the artwork becomes a window into a quiet, architectural world—a structured space designed to give the viewer's mind a place to rest, recharge, and find balance.
Artistic Intent Ultimately, my work aims to establish an international visual language that speaks to the modern appreciation for minimalist design, architectural clarity, and geometric abstraction. By exploring new perspectives through documentation and rigorous form, I strive to create art that feels both highly structured and deeply connected to the foundational elements of our environment.