INVISIBLE STRUCTURES - RHODES GALLERY LONDON
INVISIBLE STRUCTURES
In 2019, Beck made the leap into fine art, a transition that allowed him to fully embrace oil painting and lithography, crafting bold, abstract pieces that combine sharp, angular forms with intentionally balanced negative space. Drawing inspiration from Scandinavian minimalism and architectural aesthetics, his work conveys a timeless and contemplative quality.
What sets Beck apart is his remarkable ability to manipulate light and shadow, using them to sculpt his geometric forms. Through his masterful use of negative space, his compositions seem to emerge and dissolve as light interacts with the canvas. This delicate interplay between presence and absence invites viewers to deeply engage with his art, uncovering new layers of meaning with every encounter. Beck’s creative journey often begins with introspection. Long walks through various environments inspire him, as he observes the structures and spaces that shape our daily lives. His art strikes a balance between precision and emotion, encouraging viewers to pause, reflect, and consider the unseen forces that shape their experiences.
“Invisible structures have always fascinated me,” Beck explains. “Whether found in architecture, social systems, or the way light moves through a space, these hidden frameworks shape how we see and feel. My work aims to bring these ideas to life, revealing the beauty in what often goes unnoticed.” Beck’s work has been widely exhibited across Europe, with solo shows in cities such as Odense, Berlin, and Barcelona, and has been featured at the Kunstbygningen Vrå Museum. His upcoming exhibition at RHODES offers a rare opportunity to engage with his distinctive and thought-provoking artistic vision.
Invisible Structures will be on display at RHODES 7th February - 1st March 2025, with a Private View with the artist held on Thursday 6th February, 6-8pm.
ORDER TO DISORDER - SOLO / ESCAT GALLERY BARCELONA - JAN 2025
ORDER TO DISORDER
Chaos is not something to fear, but something to embrace. It’s the raw, disordered energy that surrounds us, and from that mess, something beautiful can emerge. As an artist, I’ve always been fascinated by how geometry and photography can help us make sense of this chaos—transforming the unpredictable and the random into something structured, meaningful, and visually compelling.
Geometry, with its perfect lines and shapes, offers a kind of anchor. It brings order to the disorder, creating a framework within which the world’s chaos can be understood. Whether I’m using sharp angles, curves, or patterns, geometry gives me a way to organize space, to navigate through the confusion and find clarity. It’s almost like finding a map to guide me through an otherwise chaotic landscape.
In my work, I often try to capture that feeling of chaos just before it finds its shape, its order. There’s beauty in the transition from one to the other, and it’s this tension I’m drawn to—how something seemingly chaotic can be seen through a different lens, through the perspective of geometry, and transformed into something that feels more structured, more intentional.
"Perspective from Chaos" is my way of showing how we can find order in the mess of life. It’s a reminder that chaos isn’t just disorder—it’s a dynamic, living thing that, when viewed through the lens of geometry and photography, can reveal hidden structures, underlying patterns, and deeper truths. It’s a chance to step back and see things from a new perspective—one where chaos doesn’t have to be overwhelming, but can instead be a source of inspiration.
In my work, I often try to capture that feeling of chaos just before it finds its shape, its order. There’s beauty in the transition from one to the other, and it’s this tension I’m drawn to—how something seemingly chaotic can be seen through a different lens, through the perspective of geometry, and transformed into something that feels more structured, more intentional.
